underwhelming), and it's not generally mentioned in discussions of Davis' best work from the period. So I was pleasantly surprised to find a fun, entertaining movie with a great Davis performance, albeit opposite a male lead without much screen presence.
The Rich Are Always With Us, which also poked fun at the antics of rich society narcissists, although 10th Avenue is less comedic and not as clever. It's also a bit disjointed, running only 70 minutes and abruptly jumping ahead in time at several points. Davis plays a working-class girl named Miriam Brady who happens upon rich lawyer Geoffrey Sherwood (Ian Hunter) as he drunkenly loiters outside his ex's wedding. Miriam gets Geoffrey off the street and spends an evening with him, after which they wake up to find themselves married.
James Whale's films, is much more charismatic as the poor sap Valentine dumps to attempt to win Geoffrey back, but he has only a few scenes to shine in. The movie really belongs to Davis, and it probably deserves a more prominent spot among her flood of '30s roles.